PROSPETTIVA - 181-182 (January-April 2021)

Prospettiva

Quarterly
Format cm 28,5 x 21,5
ISSN 0394-0802
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Index

Carl Brandon Strehlke Looking for Giotto
read abstract » pp. 5-12
Francesco Aceto Between Giotto and Simone Martini. A rare painted portal with 'Stories of the Passion' in Naples cathedral and its topographical and liturgical context
read abstract » pp. 13-22
Victor M. Schmidt A proposal for Ambrogio Lorenzetti's panel paintings from the church of San Procolo in Florence
read abstract » pp. 23-30
Keith Christiansen The architecture in a Bohemian panel of the Metropolitan Museum of Art
read abstract » pp. 31-35
Gabriele Fattorini On the 'Annunciation' of the Kaiser-Friedrich-Museum by Jacopo della Quercia
read abstract » pp. 36-46
Francesco Caglioti Desiderio da Settignano the portraitist: “una testa del Chardinale di Portoghallo”, or the 'Saint Lawrence' in the Old Sacristy of San Lorenzo in Florence
read abstract » pp. 47-59
Alessandro Angelini Francesco di Giorgio in Urbino and the iconography of the 'Flagellation'
read abstract » pp. 60-68
Gianluca Amato Benedetto da Maiano: two proposals for the catalogue of terracottas
read abstract » pp. 69-77
Antonio Mazzotta Evidence pointing to the identity of the 'Master of the Sforza Altarpiece'
read abstract » pp. 78-85
Roberto Bartalini Raphael and Sodoma in the Stanza della Segnatura. New findings
read abstract » pp. 86-95
Giovanni Agosti e Jacopo Stoppa Doxiana
read abstract » pp. 96-113
Michele Maccherini Three papers on Beccafumi
read abstract » pp. 114-121
Rosanna De Gennaro About the little-known opisthographic marble altarpiece of the abbey of Montevergine
read abstract » pp. 122-131
Elisabetta Cioni Notes on the 17th-century reliquary of the right arm of Saint John the Baptist of Siena cathedral
read abstract » pp. 132-142
Tomaso Montanari Bernini's caricatures: spirit without corpus?
read abstract » pp. 143-147
Gennaro Toscano The popularity of Dante in France in the early 19th century. Aubin-Louis Millin and ms. XIII.C.4 of the Biblioteca Nazionale in Naples
read abstract » pp. 148-159
Federica Testa Paolo Lombardi, photographer: portrait of an art dealer
read abstract » pp. 160-167
Laura Cavazzini Alceo Dossena and the forgery of Gothic sculpture between Lombardy and Tuscany
read abstract » pp. 168-176
Luca Quattrocchi Italian art for National Socialism. Antonio Maraini and the Ausstellung Italienischer Kunst von 1800 bis zur Gegenwart exhibition in Berlin in 1937
read abstract » pp. 177-186
Marco M. Mascolo Wilhelm R. Valentiner, Renaissance sculpture and the problems of connoisseurship
read abstract » pp. 187-194