A new tomb of the Late Orientalising period found in Tivoli in the context of relations between the Valle dell'Aniene and the adjoining Italic communities

During recent demolition work and the reconstruction of a residential building in the centre of Tivoli (ancient Tibur), a rectangular tomb cut into the local tufa bedrock was found at a depth of 3.20 m. below the present street level. Oriented E-W, it contained the poorly preserved bones of the deceased (a woman) and a complete set of grave offerings dating to the later decades of the 7th century B.C. The area had previously been associated with human (funerary) occupation between the late Bronze and early Iron Age, as the presence of pozzetti and impasto sherds reveals.
The grave context confirms the existence of the local Orientalising phase and its network of contacts with the Falisco-Capenan and Sabine regions, the territory of Gabii and the Alban Hills.

Index

Aegyptiaca ligoriana: Isis and the “gran bubo” from Hadrian's Villa to the gardens of the Quirinale
read abstract » pag. 2-27
The San Clemente polyptych by Agostino De Marchi and Marco Zoppo: documents, chronology and style
read abstract » pag. 28-49
Angiolo Del Santo, a sculptor dedicated to graphic work on the covers of 'Vita d'Arte'
read abstract » pag. 50-63
A new tomb of the Late Orientalising period found in Tivoli in the context of relations between the Valle dell'Aniene and the adjoining Italic communities
read abstract » pag. 64-73
Three identifications of ancient statues from the engravings of Giovanni Battista de Cavalieri
read abstract » pag. 74-75
“Bonamicho excellentissimo maestro”. On Luciano Bellosi's Buffalmacco
read abstract » pag. 76-87
Trionfalmacco per Pisa
read abstract » pag. 88-94
The fragmentary epigraph painted in the 'Resurrection' by Piero della Francesca: a hypothetical reconstruction
read abstract » pag. 95-97
New research on San Giovanni di Verdara in Padua: Bishop Pietro Barozzi and the workshop of Pierantonio Degli Abati
read abstract » pag. 98-109
On the early activity of Antoniazzo Romano: the 'Madonna del Buon Consiglio' triptych for Zagarolo
read abstract » pag. 110-123
A 'Young Saint John the Baptist' in terracotta by Andrea Sansovino
read abstract » pag. 124-143
A clarification regarding the “scrittoio” of Margaret of Parma
read abstract » pag. 144-147
A long misunderstanding: 'Saints James the Less and Philip' by Paolo Veronese from Lecce to Dublin
read abstract » pag. 148-163
Another trace of Tanzio in Naples
read abstract » pag. 164-183
Bernini the painter: the reappearance of the Costa 'Portrait of a Young Man'
read abstract » pag. 184-185
Notes on a 17th-century guide to Rome from the library of Giuliano Briganti
read abstract » pag. 186-195