Two unpublished letters from 1460, sent from Siena by Bartolomeo Bonatti to the Gonzaga family of Mantua, whom he served, describe the Easter celebrations conducted by Pope Pius II. These archival sources provide details on the customs of the papal court present in the Tuscan city at the time. Among the vestments displayed on the occasion, one is described as a very unusual fabric, painted by Fra Filippo Lippi. This paper analyses the letters, their content and context, and proposes several hypotheses regarding this previously unknown work by Lippi, commissioned by Pope Nicholas V. The vestment can be traced in a few later 15th-century inventories, but it is now considered lost.
Index
Laura Cavazzini e Vera Cutolo
Along the Aurelia: a New Exponent of Gothic Sculpture in the Lands of Marble
read abstract » pp. 3-25
read abstract » pp. 3-25
Roberto Bartalini
Duccio: Two Unpublished Documentary Fragments (With a Note on the Co-called 'Gualino Madonna')
read abstract » 48-51
read abstract » 48-51
Emanuele Zappasodi
“Pinxit Bartholomeus Caporalis de Perusio.” Another Piece of the Pala dei Cacciatori of Castiglione del Lago
read abstract » 52-60
read abstract » 52-60
Renzo Fontana
Enea Vico as a Model for Domenico Brusasorzi in Palazzo Chiericati at Vicenza
read abstract » 68-71
read abstract » 68-71
Mattia Barana
Siena: The Rise of Painting, 1300-1350. The Exhibitions in New York and London
read abstract » 72-75
read abstract » 72-75
Alessandro Bagnoli
The Fourteenth-century Frescoes of the Agazzari Chapel in the Church of San Martino in Siena and the History of Their Conservation
read abstract » 76-94
read abstract » 76-94
