Boncompagni and Guastavillani patronage in the Capuchin church at Frascati: an addition for Niccolò Trometta and a hypothesis about the 'Painter of Filippo Guastavillani'

The Capuchin church in Frascati houses pictorial decoration sponsored by pope Gregory XIII (1572-1585) and by his two cardinal nephews, Filippo Boncompagni and Filippo Guastavillani. These two long-standing rivals competed on this occasion in artistic commissions. While we know that the
Boncompagni Pope employed Girolamo Muziano for the execution of the 'Crucifixion' high altarpiece for the church, the authors of the two paintings on the lateral altars − 'The Sacra Conversazione' and 'Saint Francis receiving the Stigmata', respectively commissioned by Filippo Boncompagni and Filippo Guastavillaniremained unknown. For the first painting the artist can now be identified as Niccolò Trometta, who also painted the nave frescoes. The same had realized the painting originally for the church of San Giuliano in Banchi in Rome by request of Pietro da Cordova, copying the Fugger altarpiece by Giulio Romano in the church of Santa Maria dell'Anima, as the contract of 1563 attests. We hypothesize that the other lateral painting was executed by the still anonymous 'Maestro di Filippo Guastavillani,' so identified by Daniele Benati, who was active for the cardinal nephew in the villa Guastavillani at Barbiano, near Bologna.

Index

Roberto Bartalini Ambrogio Lorenzetti a Montesiepi. Sulla committenza e la cronologia degli affreschi della cappella di San Galgano
read abstract » pag. 2-18
Rosanna De Gennaro, Paolo Giannattasio Messina in the travel diary and drawings of Willem Schellinks
read abstract » pag. 19-49
Gail A. Solberg Taddeo di Bartolo e Rinaldo Brancaccio a Roma: Santa Maria in Trastevere e Santa Maria Maggiore
read abstract » pag. 50-73
Alessandro Angelini Una 'Sant'Agnese di Montepulciano' di Domenico Beccafumi. Per una revisione dell'attività giovanile del pittore
read abstract » pag. 74-93
Andrea Giorgi "Domenicho dipentore sta in chasa di Lorenso Bechafumi". Di alcuni documenti poliziani intorno al culto di Agnese Segni e ai suoi riflessi in ambito artistico (1506-1507)
read abstract » pag. 94-103
Claudio Gulli Girolamo del Pacchia's cataletto for the Confraternity of San Bernardino in Siena
read abstract » pag. 104-121
Giovanni Agosti A short note about Titian
read abstract » pag. 122-131
Patrizia Tosini Boncompagni and Guastavillani patronage in the Capuchin church at Frascati: an addition for Niccolò Trometta and a hypothesis about the 'Painter of Filippo Guastavillani'
read abstract » pag. 132-141
Fausto Nicolai Cesare Nebbia and the decoration of the Florenzi chapel in San Silvestro al Quirinale. The contract of 1579 and Nebbiaʼs working relationship with Girolamo Muziano
read abstract » pag. 142-151
A Neapolitan altarpiece by Alessandro Casolani: "Sant'Alfonso quando riceve l'habito sacerdotale dalla Madonna"
read abstract » pag. 152-161
Marco Tanzi Tanzio da Varallo: a Neapolitan portrait
read abstract » pag. 162-176
Tomaso Montanari “Chi perde vince” ("He who loses wins"): a 'Salvatore' by Gian Lorenzo and Pietro Bernini (circa 1617-19)
read abstract » pag. 176-191
Jacopo Stoppa Ferdinando Porta's curriculum in Marcello Oretti's papers
read abstract » pag. 192-204