The fragmentary epigraph painted in the ‘Resurrection' by Piero della Francesca: a hypothetical reconstruction

A few fragmentary letters are all that remain of the inscription bordering the lower frame of the 'Resurrection' by Piero della Francesca in Sansepolcro. The interpretation advanced in the present article underlines the public importance of the work due to its emblematic function. This would be the quotation by Seneca of an assertion the latter attributes to Cato, contained in Letter 71, one of the most celebrated of those addressed to Lucilius. The subject is the transience of power, a concept recurring frequently in the inauguration ceremonies of political authorities and one that was anything but extraneous to republican culture from the Middle Ages onward.

Index

Aegyptiaca ligoriana: Isis and the “gran bubo” from Hadrian's Villa to the gardens of the Quirinale
read abstract » pag. 2-27
The San Clemente polyptych by Agostino De Marchi and Marco Zoppo: documents, chronology and style
read abstract » pag. 28-49
Angiolo Del Santo, a sculptor dedicated to graphic work on the covers of 'Vita d'Arte'
read abstract » pag. 50-63
A new tomb of the Late Orientalising period found in Tivoli in the context of relations between the Valle dell'Aniene and the adjoining Italic communities
read abstract » pag. 64-73
Three identifications of ancient statues from the engravings of Giovanni Battista de Cavalieri
read abstract » pag. 74-75
“Bonamicho excellentissimo maestro”. On Luciano Bellosi's Buffalmacco
read abstract » pag. 76-87
Trionfalmacco per Pisa
read abstract » pag. 88-94
The fragmentary epigraph painted in the 'Resurrection' by Piero della Francesca: a hypothetical reconstruction
read abstract » pag. 95-97
New research on San Giovanni di Verdara in Padua: Bishop Pietro Barozzi and the workshop of Pierantonio Degli Abati
read abstract » pag. 98-109
On the early activity of Antoniazzo Romano: the 'Madonna del Buon Consiglio' triptych for Zagarolo
read abstract » pag. 110-123
A 'Young Saint John the Baptist' in terracotta by Andrea Sansovino
read abstract » pag. 124-143
A clarification regarding the “scrittoio” of Margaret of Parma
read abstract » pag. 144-147
A long misunderstanding: 'Saints James the Less and Philip' by Paolo Veronese from Lecce to Dublin
read abstract » pag. 148-163
Another trace of Tanzio in Naples
read abstract » pag. 164-183
Bernini the painter: the reappearance of the Costa 'Portrait of a Young Man'
read abstract » pag. 184-185
Notes on a 17th-century guide to Rome from the library of Giuliano Briganti
read abstract » pag. 186-195